The Most Pointless Movie

The protagonist constantly changes appearances and guises, travels through time (to childhood, for example), the musical accompaniment constantly changes, the aesthetics shift, but the richness of the expressive image remains constant. The protagonist hopes to find truth, which lies in 100% trust in the frame, with its structure and characteristics. A visionary debut with aspirations to reinvent cinematic language.

Directed by Ruslan Zakirov-Koloshmat