Directing

Farouk Beloufa

Farouk Beloufa (فاروق بلوفة), born in 1947 in Oued Fodda in Algeria, is an Algerian film critic and director. He is the father of the Franco-Algerian filmmaker and visual artist Neïl Beloufa. Farouk Beloufa studied cinema at INC, this Algerian film school that quickly disappeared, before graduating from IDHEC in Paris. He also took courses at the École Pratique des Hautes Études in Paris, under the direction of Roland Barthes, and presented a thesis on film theory. Upon his return to Algeria, his first major production, "Insurrectionnelle" (1973), was censored, the 90-minute content was reworked and produced without a signature. In 1979, "Nahla", his only feature film, was released, and is one of the rare Algerian films to deal with foreign problems: in this case, the eve of the civil war in Lebanon, in 1975. "I worked as Youssef's assistant Chahine on The Return of the Prodigal Son, in 1976, in Cairo, when I was able to escape for three weeks to Beirut. We are in the middle of a civil war, there are deaths and clashes every day, but curiously, I breathe, I am even fascinated, this is where I want to shoot my film. I am returning to Algiers to write, to try to convince. A producer, Laghouati, will follow me. He is one of the first leaders of the RTA, Algerian radio and television, following the war of independence. Nahla was completed in 1980." The shooting of the film, in the Lebanese capital in the middle of street wars. “The production in Algiers no longer wanted to take responsibility for the risks on site,” a member of the film team told Middle East Eye. “Left to our own devices in the middle of the bullets, but it was our Lebanese artist friends who helped save the film. Roger Assaf had his troupe perform voluntarily, Ziad Rahbani offered us the soundtrack and the arrangements... We were filming while the bullets were whistling in the street." But this unique film continues to live on through festivals or YouTube. Back in Algeria in 2010 after an absence of almost twenty years, Beloufa discovered that Nahla continued to fascinate, including among the younger generation of filmmakers. The film was considered by Des Nouvelles Du Front, an information site dedicated to the seventh art, as "one of the most beautiful secret gardens of Algerian cinema".